{"id":3156,"date":"2026-09-21T14:24:30","date_gmt":"2026-09-21T13:24:30","guid":{"rendered":"https:\/\/spetlafilm.com\/?p=3156"},"modified":"2026-09-21T15:51:54","modified_gmt":"2026-09-21T14:51:54","slug":"gravitation-z-nadraznich-lavic-do-hlavniho-vysilaciho-casu","status":"publish","type":"post","link":"https:\/\/spetlafilm.com\/en\/gravitation-z-nadraznich-lavic-do-hlavniho-vysilaciho-casu\/","title":{"rendered":"Gravitation: From Benches to Prime Time"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Pro\u010d jsem za\u010dal<\/strong>&nbsp;Kdy\u017e mi bylo \u010dty\u0159iadvacet, produkce \u0160petlafilm je\u0161t\u011b neexistovala. To\u010dil jsem motiva\u010dn\u00ed sportovn\u00ed videa a hudebn\u00ed klipy s miliony zhl\u00e9dnut\u00ed, ale v\u017edycky jsem cht\u011bl d\u011blat ve filmu. Cht\u011bl jsem b\u00fdt hlavn\u00edm kameramanem. Psal jsem sc\u00e9n\u00e1\u0159e, kter\u00e9 se l\u00edbily investor\u016fm, ale extern\u00ed produkce, kter\u00e9 si je braly pod k\u0159\u00eddla, je nakonec poka\u017ed\u00e9 nedot\u00e1hly. Ztr\u00e1cel jsem obrovsk\u00e9 mno\u017estv\u00ed \u010dasu a byl frustrovan\u00fd. \u0158ekl jsem si, \u017ee kdy\u017e u\u017e to\u010d\u00edm sportovn\u00ed motiva\u010dn\u00ed videa, m\u016f\u017eu nato\u010dit i celove\u010dern\u00ed film se sportovci, kter\u00e9 jsem \u010d\u00e1ste\u010dn\u011b znal.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gravitation - trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/oIPPlDV11G8?feature=oembed&#038;wmode=opaque&#038;v=oIPPlDV11G8\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Z kr\u00e1tk\u00e9ho filmu celove\u010dern\u00ed<\/strong>&nbsp;P\u016fvodn\u011b jsem cht\u011bl autorsk\u00fd film na patn\u00e1ct, maxim\u00e1ln\u011b p\u011btadvacet minut. Na Startova\u010di jsem vybral zhruba patn\u00e1ct tis\u00edc korun a investoval je do zvukov\u00e9ho vybaven\u00ed. To\u010dil jsem na p\u016fj\u010denou kameru Red Epic, tehdy techniku v hodnot\u011b milion\u016f. Fotoapar\u00e1ty se filmov\u00fdm kamer\u00e1m obrazem je\u0161t\u011b zdaleka nep\u0159ibli\u017eovaly. My\u0161lenkou jsem ale nadchl p\u0159\u00edli\u0161 mnoho lid\u00ed. P\u0159ibral jsem svou tehdej\u0161\u00ed p\u0159\u00edtelkyni a dne\u0161n\u00ed \u017eenu Denisu, se kterou dnes vedeme produkci. Oz\u00fdvali se lid\u00e9, \u017ee znaj\u00ed sportovce a domluv\u00ed je. Jedn\u00edm z nich byl koproducent Patrik Semmelbauer, kter\u00fd domluvil freestyle motokrosa\u0159e Martina Kr\u00e1tk\u00e9ho a Libora Podmola, kter\u00fd tehdy je\u0161t\u011b nejezdil Dakar. Na\u0161li jsme sponzory a film jsme m\u011bli to\u010dit dva roky. V\u011bt\u0161ina sportovc\u016f ale byla stejn\u011b jako my kolem dvaceti, proch\u00e1zeli v\u00fdvojem a m\u011bnili n\u00e1zory. P\u0159i\u0161la i zran\u011bn\u00ed, nap\u0159\u00edklad Adam Rossi si utrhl biceps. Nat\u00e1\u010den\u00ed se tak prot\u00e1hlo na t\u0159i roky (2012 a\u017e 2015).<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gravitation (2015) - sportovn\u00ed motiva\u010dn\u00ed dokument - @Asabado @7onyga @liborpodmol5001\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/ap8SlcruknQ?feature=oembed&#038;wmode=opaque\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bez pen\u011bz, ale s n\u00e1padem<\/strong>&nbsp;Pen\u00edze chyb\u011bly. Po republice jsem jezdil vlakem, na hotely nebylo, a tak jsem \u010dasto spal na n\u00e1dra\u017en\u00edch lavic\u00edch a \u010dekal na dal\u0161\u00ed spoj. Kdy\u017e se ve\u010der n\u00e1dra\u017e\u00ed zav\u00edrala, \u010dekal jsem venku. Produk\u010dn\u00ed hodnotu ale zvedlo to, \u017ee mi sportovci sehnali a pomohli licencovat z\u00e1b\u011bry z cel\u00e9ho sv\u011bta: z USA, \u010c\u00edny, Ji\u017en\u00ed Koreje, Velk\u00e9 Brit\u00e1nie, \u0160v\u00fdcarska, \u0160pan\u011blska, Francie a Slovenska. Bezdr\u00e1tov\u00e9 zvukov\u00e9 syst\u00e9my tehdy st\u00e1ly jm\u011bn\u00ed a j\u00e1 se zvukem teprve za\u010d\u00ednal. Vy\u0159e\u0161ili jsme to tak, \u017ee sportovce v\u011bt\u0161inou nevid\u00edme mluvit, ale sly\u0161\u00edme jejich vnit\u0159n\u00ed hlasy, to, co se v nich odehr\u00e1v\u00e1. To\u010dil jsem je na ru\u010dn\u00ed report\u00e1\u017en\u00ed rekord\u00e9r a pro lep\u0161\u00ed akustiku je p\u0159ikr\u00fdval dekou. Stejn\u011b tak jsme nato\u010dili \u00favodn\u00ed voiceover s hercem Ji\u0159\u00edm Nebenf\u00fchrem v jeho kav\u00e1rn\u011b. Studio bylo finan\u010dn\u011b mimo na\u0161e mo\u017enosti. Kdy\u017e jsme n\u011bco vyd\u011blali, kupovali jsme novou techniku, aby byl film co nejlep\u0161\u00ed. Profesion\u00e1ln\u00ed filmovou kameru jsem si nemohl p\u016fj\u010dovat po\u0159\u00e1d, den st\u00e1l hodn\u011b a k tomu cesta a odpov\u011bdnost.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Hudba na m\u00edru<\/strong>&nbsp;Filmov\u00fd skladatel Karol Anton\u00edn n\u00e1m slo\u017eil hudbu na m\u00edru. To doporu\u010duju ka\u017ed\u00e9mu producentovi. Hudba z knihovny stoj\u00ed zlomek, ale origin\u00e1ln\u00ed hudba reaguje p\u0159esn\u011b na emoce, nemus\u00edte j\u00ed p\u0159izp\u016fsobovat st\u0159ih a nikde jinde nezazn\u00ed. Spousta div\u00e1k\u016f se pak ptala na soundtrack. Kapela ERA n\u00e1m nav\u00edc slo\u017eila skladbu v kombinaci rocku a rapu, takov\u00fd \u010desk\u00fd nu metal ve stylu Linkin Park. Zazn\u00ed na konci filmu a vy\u0161la i jako samostatn\u00fd klip.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gravitation - E.R.A.\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/GcxRR4NUK34?feature=oembed&#038;wmode=opaque\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Postprodukce doma<\/strong>&nbsp;Dev\u011bt sportovc\u016f, p\u0159es \u010dty\u0159icet nat\u00e1\u010dec\u00edch dn\u00ed a v\u00fdsledn\u00fdch devades\u00e1t dev\u011bt minut znamenalo obrovsk\u00e9 mno\u017estv\u00ed materi\u00e1lu a stovky hodin ve st\u0159ihu. Byl to n\u00e1\u0161 prvn\u00ed velk\u00fd dokument cel\u00fd in-house. Musel jsem se nau\u010dit m\u00edchat zvuk pro kino podle standard\u016f, kter\u00e9 jsem z YouTube neznal, a exportovat DCP, form\u00e1t pro kinoprojekci. Tehdy to bylo slo\u017eit\u00e9, ale zvl\u00e1dli jsme to.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Premi\u00e9ra, kterou si nikdo nezapsal<\/strong>&nbsp;Premi\u00e9ru jsme m\u011bli v Olomouci v kin\u011b Metropol, kde Denisa studovala \u017eurnalistiku. Studuje tam i \u0159ada budouc\u00edch re\u017eis\u00e9r\u016f, kte\u0159\u00ed v Metropolu prom\u00edtaj\u00ed studentsk\u00e9 filmy. Pan\u00ed provozn\u00ed si myslela, \u017ee jsme jedni z nich, a zapomn\u011bla si prom\u00edt\u00e1n\u00ed zapsat. Nakonec byla sama p\u0159ekvapen\u00e1: s\u00e1l s kapacitou 533 m\u00edst byl pln\u00fd, p\u0159i\u0161lo kolem p\u011bti set div\u00e1k\u016f, a p\u0159id\u00e1vali jsme repr\u00edzy. Pozvali jsme novin\u00e1\u0159e, kte\u0159\u00ed napsali velmi pozitivn\u00ed \u010dl\u00e1nky, a z\u00edskali jsme distributora. Za\u010dali jsme v jednos\u00e1lov\u00fdch kinech s besedami. N\u011bkter\u00e1 byla vyprodan\u00e1 i opakovan\u011b, v men\u0161\u00edch m\u011bstech t\u0159eba jen z poloviny nebo \u010dtvrtiny. Na Mezin\u00e1rodn\u00edm festivalu outdoorov\u00fdch film\u016f v roce 2016 jsme z\u00edskali t\u0159et\u00ed m\u00edsto v hlavn\u00ed kategorii a zvl\u00e1\u0161tn\u00ed cenu CzechTourism za nejlep\u0161\u00ed film. D\u00edky tomu se film dostal do dal\u0161\u00edch kin a nakonec ho koupila Prima Zoom, kter\u00e1 ho k narozenin\u00e1m stanice uvedla v hlavn\u00edm vys\u00edlac\u00edm \u010dase. Na \u010cSFD m\u00e1 dnes 77 procent z v\u00edce ne\u017e 240 hodnocen\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Film o dosp\u00edv\u00e1n\u00ed<\/strong>&nbsp;Gravitation je o sportovc\u00edch, ale jeho poselstv\u00ed plat\u00ed pro jakoukoliv \u017eivotn\u00ed cestu. Je o dosp\u00edv\u00e1n\u00ed, a my jsme tehdy sami dosp\u00edvali. P\u0159\u00edb\u011bhy za\u010d\u00ednaj\u00ed ve \u0161kole a v d\u011btstv\u00ed, pokra\u010duj\u00ed l\u00e1skou ke sportu, budov\u00e1n\u00edm z\u00e1zem\u00ed a ne\u00fasp\u011bchy a kon\u010d\u00ed absolutn\u00edm \u00fasp\u011bchem, kter\u00fd p\u0159edstavuje Libor Podmol jako v\u00edt\u011bz X Games. Ke konci se p\u0159\u00edb\u011bhy propojuj\u00ed, proto\u017ee se sportovci navz\u00e1jem znaj\u00ed. Na prom\u00edt\u00e1n\u00ed ob\u010das p\u0159i\u0161el n\u011bkdo, komu film pomohl z t\u011b\u017ek\u00e9ho obdob\u00ed. Pamatuju si matku s dcerou, pro kterou byl film v nejt\u011b\u017e\u0161\u00ed dob\u011b velkou oporou. To je ta nejlep\u0161\u00ed odm\u011bna, jakou m\u016f\u017ee tv\u016frce dostat. Psychicky to pro m\u011b bylo n\u00e1ro\u010dn\u00e9. Musel jsem se neust\u00e1le motivovat a z\u00e1rove\u0148 jsem zachycoval v\u011bci, kter\u00e9 se t\u011b\u017eko sn\u00e1\u0161\u00ed. Kdy\u017e s lidmi tr\u00e1v\u00edte tolik \u010dasu, m\u00e1te o n\u011b strach. Jsem py\u0161n\u00fd na to, kam se film dostal. A co by si je\u0161t\u011b zaslou\u017eil? Poslat do sv\u011bta na festivaly. I kdy\u017e vy\u0161el v roce 2015, jeho obsah nezest\u00e1rne.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I started shooting the documentary Gravitation at twenty-four, with no production team, no money, and on borrowed equipment. It ended with a sold-out premiere, a festival award, and a broadcast on Prima Zoom.<\/p>\n","protected":false},"author":1,"featured_media":10,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3156","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nezarazene"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gravitation: Z n\u00e1dra\u017en\u00edch lavic do prime time | \u0160petla Film<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/spetlafilm.com\/en\/gravitation-z-nadraznich-lavic-do-hlavniho-vysilaciho-casu\/\" \/>\n<meta property=\"og:locale\" content=\"cs_CZ\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gravitation: Z n\u00e1dra\u017en\u00edch lavic do prime time | \u0160petla Film\" \/>\n<meta property=\"og:description\" content=\"I started shooting the documentary Gravitation at twenty-four, with no production team, no money, and on borrowed equipment. 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