{"id":3154,"date":"2026-09-21T13:40:23","date_gmt":"2026-09-21T12:40:23","guid":{"rendered":"https:\/\/spetlafilm.com\/?p=3154"},"modified":"2026-09-21T15:51:41","modified_gmt":"2026-09-21T14:51:41","slug":"od-b-kamery-k-celovecernimu-filmu","status":"publish","type":"post","link":"https:\/\/spetlafilm.com\/en\/od-b-kamery-k-celovecernimu-filmu\/","title":{"rendered":"From B-Camera to Feature Film"},"content":{"rendered":"\n

Telefon\u00e1t, kter\u00fd jsem m\u00e1lem odm\u00edtl<\/strong>\u00a0P\u0159es t\u0159in\u00e1ct let p\u016fsob\u00edm na trhu jako lektor. U\u010d\u00edm jednotlivce, kte\u0159\u00ed se cht\u011bj\u00ed st\u00e1t filma\u0159i, a \u0161kol\u00edm firmy, kter\u00e9 si cht\u011bj\u00ed vyr\u00e1b\u011bt a distribuovat vlastn\u00ed obsah. Jeden z m\u00fdch b\u00fdval\u00fdch student\u016f nemohl p\u0159ijet na nat\u00e1\u010den\u00ed, a tak m\u011b doporu\u010dil producentovi a re\u017eis\u00e9rovi Honzovi Zavazalovi. Honza je moder\u00e1torem jezdeck\u00e9ho p\u00f3la a \u0161kol\u00ed tento sport po cel\u00e9m sv\u011bt\u011b. Je to mimo\u0159\u00e1dn\u011b zaj\u00edmav\u00e1 osobnost. Zavolal mi, jestli bych ned\u011blal B-kameru na z\u00e1mku Karlova Koruna, kde se m\u011bl konat parforsn\u00ed hon. Rychle jsem odm\u00edtl, proto\u017ee slu\u017eby B-kameramana na jednor\u00e1zov\u00e9 nat\u00e1\u010den\u00ed nenab\u00edz\u00edm, a sl\u00edbil, \u017ee mu zkus\u00edm doporu\u010dit n\u011bkoho jin\u00e9ho. Z\u00e1rove\u0148 jsem si ale vyslechl, co m\u00e1 na srdci, a zaujalo m\u011b to. <\/p>\n\n\n\n

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Parforsn\u00ed hony pat\u0159\u00ed k historii \u010cesk\u00e9 republiky a m\u016f\u017eeme na n\u011b b\u00fdt hrd\u00ed. Z tohoto \u0161lechtick\u00e9ho sportu vznikla i Velk\u00e1 pardubick\u00e1, kterou sleduj\u00ed p\u0159es t\u0159i miliony div\u00e1k\u016f \u017eiv\u011b na \u010cesk\u00e9 televizi. Okam\u017eit\u011b se mi vybavily vzpom\u00ednky na d\u011btstv\u00ed na vesnici. Jako kluk jsem s \u00fa\u017easem sledoval podzimn\u00ed Hubertovy j\u00edzdy nebo jsem si hr\u00e1l s kamar\u00e1dy \u201ehon na babu\u201c \u2013 legend\u00e1rn\u00edho jelena, kter\u00e9ho jezdci jen na oko nah\u00e1n\u011bli, aby se pak v klidu a bezpe\u010d\u00ed vr\u00e1til zp\u00e1tky do sv\u00e9 ohrady. Byla v tom zvl\u00e1\u0161tn\u00ed noblesa a \u00facta ke zv\u00ed\u0159eti. Za\u010dal jsem p\u0159em\u00fd\u0161let, jak\u00fd by to byl z\u00e1\u017eitek to\u010dit kon\u011b v krajin\u011b, psy a jezdce v kost\u00fdmech v podzimn\u00edm list\u00ed, proto\u017ee hon se konal 11. \u0159\u00edjna. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Na\u0161e produkce se nav\u00edc historii v\u011bnuje dlouhodob\u011b. Tehdy jsme u\u017e m\u011bli za sebou prvn\u00ed rok na\u0161eho autorsk\u00e9ho celove\u010dern\u00edho dokumentu Krkono\u0161e: Cesty Vlach\u016f, des\u00edtky kr\u00e1tk\u00fdch dokument\u016f s pam\u011btn\u00edky i dokument o \u0161ermu pro Warhorse Studios\u00a0Fechtbuch: The Real Swordfighting behind Kingdom Come<\/em>. Zavolal jsem Honzovi zp\u00e1tky, \u017ee to vezmu, ale \u017ee mu krom\u011b B-kamery m\u016f\u017eu nab\u00eddnout v\u00edc. Nap\u0159\u00edklad dron se t\u0159emi objektivy, se kter\u00fdm m\u016f\u017eu to\u010dit kon\u011b z d\u00e1lky, dynamicky a bez ohro\u017een\u00ed kohokoliv.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Italsk\u00e1 kav\u00e1rna v Praze<\/strong>\u00a0Se\u0161li jsme se v Praze a Honza mi za\u010dal vypr\u00e1v\u011bt v\u0161echno, co se odehr\u00e1v\u00e1 na pozad\u00ed. Rychle jsem pochopil, \u017ee je to nad\u0161enec, kter\u00fd um\u00ed nad\u0161en\u00ed p\u0159en\u00e1\u0161et na ostatn\u00ed. Nadchlo m\u011b to natolik, \u017ee jsem mu \u0159ekl, \u017ee nech\u00e1pu, pro\u010d z toho m\u00e1 b\u00fdt jen kr\u00e1tk\u00fd film, kter\u00fd skon\u010d\u00ed na YouTube s p\u00e1r tis\u00edci zhl\u00e9dnut\u00ed. Je to nosn\u00e9 t\u00e9ma, zaj\u00edmav\u00e9 historicky a z\u00e1rove\u0148 skv\u011bl\u00e9 pro audiovizu\u00e1ln\u00ed z\u00e1\u017eitek: pohled ze sedla, j\u00edzda krajinou, z\u00e1mky. To v\u0161echno lidi po cel\u00e9m sv\u011bt\u011b zaj\u00edm\u00e1. Navrhl jsem celove\u010dern\u00ed film. Uk\u00e1zal jsem mu uk\u00e1zku z Krkono\u0161 a vysv\u011btlil n\u00e1\u0161 p\u0159\u00edstup. Moje \u017eena Denisa, kter\u00e1 je re\u017eis\u00e9rkou nebo spolure\u017eis\u00e9rkou na\u0161ich dokument\u016f, se v\u017edy pono\u0159\u00ed hluboko do t\u00e9matu. Chod\u00ed do archiv\u016f, studuje, p\u0159e\u010dte hromadu knih a stane se doslova odbornic\u00ed. Je vystudovan\u00e1 novin\u00e1\u0159ka a dokumentaristika ji napl\u0148uje, tak\u017ee um\u00ed rychle poskl\u00e1dat smysluplnou osu, kter\u00e1 div\u00e1ka bav\u00ed a z\u00e1rove\u0148 m\u00e1 p\u0159esah. J\u00e1 se z toho pak sna\u017e\u00edm ud\u011blat bij\u00e1k. N\u011bco, co nebav\u00ed jen „seniory u ve\u010dern\u00edho programu“, ale i mlad\u00e9 lidi, tedy mainstreamov\u00fd dokument. Kari\u00e9ru jsem za\u010d\u00ednal jako hlavn\u00ed kameraman se sklonem k um\u011bleck\u00e9mu vizu\u00e1lu a ka\u017ed\u00fd z\u00e1b\u011br beru jako mal\u00ed\u0159 sv\u00e9 pl\u00e1tno. Takhle se dopl\u0148ujeme. Rovnou jsem Honzovi nast\u00ednil mo\u017enosti distribuce v kinech, v televizi i prodeje na VOD platformy a dal mu st\u0159\u00edzliv\u00fd odhad mo\u017en\u00fdch p\u0159\u00edjm\u016f. Pod\u011bkoval a \u0159ekl, \u017ee si to promysl\u00ed.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

B-kamera, kter\u00e1 to\u010dila jako A-kamera<\/strong>\u00a0Kdy\u017e jsem pak na hon p\u0159ijel jako B-kamera, bral jsem to velmi pe\u010dliv\u011b. D\u00edval jsem se tam, kam se ned\u00edvala hlavn\u00ed kamera, ale hledal jsem um\u011bleck\u00e9 \u00fahly a detaily, kter\u00e9 by doplnily p\u0159\u00edb\u011bh. Nahr\u00e1val jsem i zvuk na profesion\u00e1ln\u00ed mikrofony, aby \u0161lo pou\u017e\u00edt dialogy a monology. To\u010dil jsem, jako bych tam byl s\u00e1m, aby se z materi\u00e1lu dal sest\u0159\u00edhat aspo\u0148 kr\u00e1tk\u00fd p\u0159\u00edb\u011bh. Nal\u00e9tal jsem obrovsk\u00e9 mno\u017estv\u00ed materi\u00e1lu dronem, a kdy\u017e se ke mn\u011b bl\u00ed\u017eila sme\u010dka s jezdci, bral jsem do ruky kameru. Na konci dne jsem u gul\u00e1\u0161e \u0159\u00edkal hlavn\u00edmu kameramanovi, \u017ee tenhle projekt bych nerad opustil, a d\u011blal si legraci, \u017ee a\u017e producent uvid\u00ed moje z\u00e1b\u011bry, bude plakat \u0161t\u011bst\u00edm. Pr\u00e1ci neberu jen jako pr\u00e1ci, ale jako posl\u00e1n\u00ed.<\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Film na kl\u00ed\u010d<\/strong>\u00a0Po p\u0159ed\u00e1n\u00ed z\u00e1b\u011br\u016f a faktury chv\u00edli trvalo, ne\u017e se Honza ozval s t\u00edm, \u017ee by se r\u00e1d se\u0161el i s mou \u017eenou. P\u0159ijel za n\u00e1mi do Trutnova, probrali jsme v\u0161echny sm\u011bry, kam t\u00e9ma parforsn\u00edch hon\u016f sah\u00e1, a dohodli se, \u017ee do toho p\u016fjdeme. Honza z\u016fstal producentem tedy \u0159editelem projektu a pr\u016fvodcem filmu. To jsme ocenili, proto\u017ee je nesm\u00edrn\u011b zaj\u00edmav\u00fd, na kon\u00edch jezd\u00ed dlouho, nem\u00e1 \u0161lechtick\u00e9 ko\u0159eny a jeho nad\u0161en\u00ed dalo filmu n\u011bco nav\u00edc. Denisa p\u0159evzala re\u017eii a produkci, na kter\u00e9 se d\u00edky Honzov\u00fdm kontakt\u016fm pod\u00edleli spole\u010dn\u011b. J\u00e1 jsem p\u0159evzal roli filma\u0159e. Kdybych se ozna\u010dil jen za kameramana, lhal bych: \u0159e\u0161\u00edm i zvuk a \u010d\u00e1ste\u010dn\u011b re\u017eii, tedy volbu z\u00e1b\u011br\u016f a prost\u0159ed\u00ed.<\/p>\n\n\n\n

Rok nat\u00e1\u010den\u00ed<\/strong>\u00a0Film jsme nat\u00e1\u010deli p\u0159es rok, celkem patn\u00e1ct nat\u00e1\u010dec\u00edch dn\u00ed. Posledn\u00edm dnem, kter\u00fd n\u00e1s \u010dek\u00e1 je Velk\u00e1 pardubick\u00e1. M\u00e1me z\u00e1b\u011bry z hon\u016f na podzim, v zim\u011b, kdy mrzlo a byla hust\u00e1 mlha, i z l\u00e9ta. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Pracovali jsme s archivn\u00edmi materi\u00e1ly v\u010detn\u011b VHS, nav\u0161t\u00edvili archivy \u0159ady z\u00e1mk\u016f a ve filmu vystupuje velk\u00e9 mno\u017estv\u00ed respondent\u016f, z nich\u017e ka\u017ed\u00fd m\u00e1 k t\u00e9matu co \u0159\u00edct. Ve st\u0159ihu jsme str\u00e1vili stovky hodin. Nat\u00e1\u010den\u00ed bylo ob\u010das ak\u010dn\u00ed. V zim\u011b jsem tr\u00e1vil hodn\u011b \u010dasu na korb\u011b star\u0161\u00edho SUV. Bylo to poh\u00e1dkov\u00e9, ale extr\u00e9mn\u00ed zima. Techniku se neboj\u00edm ob\u011btovat pro skv\u011bl\u00fd z\u00e1b\u011br, tak\u017ee v mrazu a mlze jsem l\u00e9tal s dronem, a\u017e se motory t\u00e9m\u011b\u0159 p\u0159et\u00ed\u017eily a za\u010daly se zadrh\u00e1vat. P\u0159ist\u00e1l jsem jen tak tak. \u0160lo ale o let nad otev\u0159enou loukou, tak\u017ee nejhor\u0161\u00ed, co mohlo hrozit, byl p\u00e1d na zmrzlou zem. Minimalistick\u00fd \u0161t\u00e1b m\u011bl i dal\u0161\u00ed v\u00fdhodu: mohli jsme kl\u00e1st intimn\u011bj\u0161\u00ed ot\u00e1zky. Je rozd\u00edl, kdy\u017e se na n\u011bco hlubok\u00e9ho pt\u00e1te ve t\u0159ech lidech, nebo kdy\u017e jich stoj\u00ed na place deset. D\u00edky mal\u00e9mu \u0161t\u00e1bu si film mohl spolu se sponzory ufinancovat za\u010d\u00ednaj\u00edc\u00ed producent, kter\u00fd je\u0161t\u011b nikdy celove\u010dern\u00ed film ned\u011blal. A nat\u00e1\u010den\u00ed bylo „rodinn\u00e9“, v\u0161ude n\u00e1s p\u0159ijali v\u0159ele.<\/p>\n\n\n\n

\u010cesk\u00e1 i anglick\u00e1 verze<\/strong>\u00a0Film jsme vyr\u00e1b\u011bli \u010desky i anglicky. \u010cesky, proto\u017ee jde o \u010deskou historii a v\u011b\u0159\u00edme, \u017ee \u010desk\u00e9mu div\u00e1kovi m\u00e1 co \u0159\u00edct. Anglicky, proto\u017ee t\u00e9ma je zaj\u00edmav\u00e9 i ve sv\u011bt\u011b a z toho d\u016fvodu se d\u00e1 i l\u00e9pe prodat. V Anglii se dnes nap\u0159\u00edklad diskutuje o \u00fapln\u00e9m z\u00e1kazu takzvan\u00e9ho trail huntingu, p\u0159esto\u017ee jde zjednodu\u0161en\u011b \u0159e\u010deno o velmi zaj\u00edmav\u00fd larp. P\u0159i na\u0161ich honech se net\u00fdr\u00e1 \u017e\u00e1dn\u00e9 zv\u00ed\u0159e, kon\u011b i psi se na n\u011b t\u011b\u0161\u00ed a j\u00edzda krajinou je pro n\u011b p\u0159irozen\u00e1. Na tuto tradici se nav\u00edc v\u00e1\u017ee \u0159ada pracovn\u00edch m\u00edst. Film na\u0161e produkce vyrobila na kl\u00ed\u010d. Pokud byste ho cht\u011bli licencovat pro prom\u00edt\u00e1n\u00ed, obra\u0165te se na n\u00e1s, r\u00e1di v\u00e1s spoj\u00edme s producentem.<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

I initially turned down the offer to be a B-camera operator at a par force hunt. A year later, we completed a feature-length documentary on this topic in both Czech and English.<\/p>\n","protected":false},"author":1,"featured_media":2906,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3154","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nezarazene"],"yoast_head":"\nOd B-kamery k celove\u010dern\u00edmu filmu | \u0160petla Film<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/spetlafilm.com\/en\/od-b-kamery-k-celovecernimu-filmu\/\" \/>\n<meta property=\"og:locale\" content=\"cs_CZ\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Od B-kamery k celove\u010dern\u00edmu filmu | \u0160petla Film\" \/>\n<meta property=\"og:description\" content=\"I initially turned down the offer to be a B-camera operator at a par force hunt. A year later, we completed a feature-length documentary on this topic in both Czech and English.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/spetlafilm.com\/en\/od-b-kamery-k-celovecernimu-filmu\/\" \/>\n<meta property=\"og:site_name\" content=\"\u0160petla Film\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/spetlafilm\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-21T12:40:23+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-21T14:51:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/spetlafilm.com\/wp-content\/uploads\/2026\/01\/zebraky.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1440\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"petrspetla\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" 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